Kleedkamer-Blues, written by Ludwig Binge and directed by Marthinus Basson, gives audiences a witty dramady look behind the festival scenes as actors prepare for their final performance if an Afrikaans protest theatre adaptation of Waiting for Godot.
Anyone who has every had any kind of interaction with the theatre festival circuit (be it as actor, writer, producer, tech-team, reviewer, or panel) will appreciate the backstage scenarios that fuel the dark comedy and epic rants as the drama unfolds in Kleedkamer-Blues. Godot.
Anyone who has every had any kind of interaction with the theatre festival circuit (be it as actor, writer, producer, tech-team, reviewer, or panel) will appreciate the backstage scenarios that fuel the dark comedy and epic rants as the drama unfolds in Kleedkamer-Blues.
As a
Trichardt and Oelofse bring a vulnerability to the stage that
Here’s hoping that Kleedkamer-Blues has a post Woordfees run in Cape Town, as we enjoyed every side-swipe, come back, sarcastic jab and heartfelt rant regarding festival stereotypes on display in this play.